2025
-
Saxophone Concerto
Adolphus Hailstork
“…immense excellence…while the compositions themselves were reason enough to find great enjoyment in the presentation, it was the way that the duo played their respective instruments that enamored me…wholly in tune with the music, unbridled joy and passion.”
“REVIEW: Gorgeous Tyshawn Sorey and Thomas Adès concerto double-bill at Lucerne Festival”
“…Sorey’s writing for the solo sax establishes whole another brand of virtuosity, one wrought of long lines, where each note is given its singular identity; a procedure akin to the playing of the concerto’s dedicatee as well as the tintinnabulations of...
“a highly engaging venture into the spirit of the riff, so to speak, without ever explicitly acknowledging the roots of that spirit in Bird’s solos…This recording is particularly satisfying, not only for the facility with which McAllister jumps through all of the hoops that Adams has created but also for the informed rhetorical context that Robertson establishes as conductor.”
“McAllister’s evocative renditions and virtuoso artistry throughout the CD [SCENA] enables the music, as well as the saxophone, to transcend the potential pitfalls inherent in an ambitious project of this nature and allow the listener to be embraced by the musical challenges presented for both performer and listener…an excellent CD in both performance and composition of music.”
“McAllister shone in the virtuosic concerto, navigating the perilous runs and figures with ease while keeping a high level of technical proficiency. His musicality was the high point of the performance, especially in the opening movement where Dahl eschewed a steady beat and rhythm, leaving the soloist to push forward the musical line. The final movement was a whirlwind of fingers, but each note and phrase was perfectly placed.”
“Adams’s Saxophone Concerto was brought about by the stimulus of an extraordinary musician. Timothy McAllister’s seemingly effortless handling of the “City Noir” solos…determined Adams to write a concerto for him in that style…The playing of McAllister is a wonder to hear, and the performances by Robertson and company set the standard for these works…”
[REVIEW: “PROMS 2014 - BBCSO/Alsop - masterful and brilliantly effective”]
“McAllister demonstrated his easy mastery of both its content and style, forming a partnership of equals with Alsop”