“…McAllister performed solos crucial to the work’s flavor with brashness that never overpowered a beautifully rounded tone.”
“Relatively few classical composers have given the instrument a successful spotlight, but John Adams is out to change that with his new Saxophone Concerto…a gleaming vehicle for virtuoso saxophonist Timothy McAllister. He nails the fluent angularity and punchiness in the music with a lyrical touch somewhere comfortably between jazz and classical styles”
“…McAllister’s flexibility of sound, judicious use of vibrato, ease of altissimo, and tonal techniques make it possible to listen without distraction.”
“fantastic virtuosity and lyric beauty”
“Handling the extensive saxophone solos was guest musician Timothy McAllister, who performed the work’s world premiere and who was brought in at Adams’ request. Although seated in the middle of the orchestra, he stood for the solos and played the jazz-inspired riffs in a nervy, improvisatory style, a highlight of what was a fine performance.”
“(John) Adams goes for more than stylizations with [City Noir’s] wily jazz spine. Keeping a sweaty, smoky after-hours jam percolating were Timothy McAllister’s volcanic sax…”
“Adams wrote the piece in 2013 for Tim McAllister who Adams called ‘the best sax player in the world.’ From the very beginning the saxophone unleashed a barrage of notes. A few pauses gave everyone a chance to breathe but the orchestra often took up the same flurry of notes so only McAllister got a chance to catch his breath…there is no doubt that the main point of the piece was virtuosity. In spite of all the pyrotechnics, McAllister’s tone quality was beautiful with a well-modulated...
A new concerto for alto saxophone and orchestra coming for 2026-2027 by renowned UK composer, Errollyn Wallen! More details and information soon! If you would like information on the consortium, contact Martha Woods (info below).