“A joy to hear…a celebration of Ron McNair’s legacy and ambition…James Lee III encapsulates the emotion of the first two movements into a message of perserverence and accomplishment through a lifetime of tribulations.”

Brennan Wagner The Music City Review

“City Noir is about process, not stasis…there was a prominent part for saxophone (played by the steady Timothy McAllister)…”

Arthur Kaptainis National Post (Toronto)

“The virtuosic writing makes uncompromising demands on the soloist, challenges to which Timothy McAllister rose most impressively, maintaining a fullness of tone where Adams’s writing is lyrical while handling some incredibly difficult fast passages with commendable ease and clarity…Adams has enriched the sparse repertoire with an impressively argued structure”

Ben Hogwood Classical Source (UK) (9/5/14)

“this array of talented composers born between 1953 (Marianne Ploger) and 1996 (Zoe Cutler), all rising to the occasion in different but satisfying ways. I don’t imagine I will encounter a saxophone recital exhibiting as much imaginative fun for a long time. The recorded sound is exemplary.”

Huntley Dent FANFARE Magazine (June 2023)

“…breathtaking and spectacular…a revolution displayed in the hands of an artist…”

Donald Sinta Earl V. Moore Distinguished Professor Emeritus of Saxophone, The University of Michigan

“a fearless musician and risk taker…a one-of-a-kind artist the way Yo-Yo Ma is”

John Adams Pulitzer Prize Laureate and Grammy-winning composer

“one that will be studied and admired by saxophonists everywhere, yet deserves a still wider audience…remarkably good and thought provoking.”

FANFARE Magazine

Vincent Ho

Whimsical Concerto of Fanciful Birds (2023)
I. Enchanted Migrations
II. Angels and Mockingbirds
III. Urban Birds

Premiered by Tim McAllister and the Saskatoon Symphony Orchestra, this concerto represents the culmination of the composer’s years of writing for saxophone, namely in the series “Whimsical Sketches of Fanciful Birds, Books 1-3” for alto saxophone and piano. This series are a collection of fifteen works that explore various bird-like or bird-inspired sounds that could be created on the saxophone instrument. After writing this collection (with the possibility of more to come), the inevitable next step was to adapt many of these musical ideas into a large-scale concerto. To fully capture the spirit of the avian world Ho envisioned, it was decided to score it for solo alto saxophone, orchestra, and spatialized saxophone ensemble–a collective of saxophonists placed in various areas of the concert hall surrounding the audience (eg. loges, balconies, aisles, etc) to serve as the “flock of birds” accompanying the soloist and orchestra while creating an immersive sonic experience for the audience.

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Constance Chiu
Manager, Artists
Opus 3 Artists

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