[Review: “ CSO end year literally with a bang“] “The Prokofiev benefitted from distinguished solo playing by Chris Martin on cornet, Michael Henoch on oboe and uncredited guest players Lorna McGhee on flute and the great Timothy McAllister on tenor saxophone.”

John Von Rhein Chicago Tribute (12/19/14)

[Review: “LA Phil Brings ‘New World’ to Seoul”]
“Resplendent saxophone solos thrilled audiences throughout…”

Kwon Ji-youn The Korea Times (3/27/15)

“One of America’s bright young stars in teaching and in performing…exceptionally gifted.”

Michael Segell Award-Winning Author and Contributing Editor, Esquire Magazine

“Adams has created a compelling demonstration of the instrument’s unique orchestral potential. McAllister was superb, his technical command of the score impeccable, yet with a tone of molten amber, his saxophone bubbling like a hookah pipe with intoxication, his playing gave the piece its originality”

Matthew Wright The Arts Desk Journal (UK) (9/5/14)

“Creston explores a wide range of emotions and technical demands for the saxophonist throughout the piece. The saxophonist Timothy McAllister plays in all aspects in a more than satisfactory way. He is at his ease in the short, staccato notes but also delivers notable melodious lines in the second movement. The final movement introduces a lively and playful character, demonstrating Mr. McAllister’s agility and virtuosity well.”

Giorgio Koukl EarRelevant (December 2023)

“Within Adams’s symphonic feast, one hears high energy rhythmic virtuosity recalling that of Franz Waxman’s Sunset Boulevard (1950) prelude, towering alto saxophone solos mastered to the bone by Timothy McAllister…”

Jari Kallio AIM- Adventures in Music (March 2024)

“Timothy McAllister gave intense, intelligent performances…mournful [and] exuberant…”

Bruce Hodges S&H International Concert Review - MusicWeb (UK)

Vincent Ho

Whimsical Concerto of Fanciful Birds (2023)
I. Enchanted Migrations
II. Angels and Mockingbirds
III. Urban Birds

Premiered by Tim McAllister and the Saskatoon Symphony Orchestra, this concerto represents the culmination of the composer’s years of writing for saxophone, namely in the series “Whimsical Sketches of Fanciful Birds, Books 1-3” for alto saxophone and piano. This series are a collection of fifteen works that explore various bird-like or bird-inspired sounds that could be created on the saxophone instrument. After writing this collection (with the possibility of more to come), the inevitable next step was to adapt many of these musical ideas into a large-scale concerto. To fully capture the spirit of the avian world Ho envisioned, it was decided to score it for solo alto saxophone, orchestra, and spatialized saxophone ensemble–a collective of saxophonists placed in various areas of the concert hall surrounding the audience (eg. loges, balconies, aisles, etc) to serve as the “flock of birds” accompanying the soloist and orchestra while creating an immersive sonic experience for the audience.

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