“The star of the show was the saxophonist Timothy McAllister, all pep and bounce and loose-limbed lyricism in John Adams’s 2013 Saxophone Concerto. It reads like a love letter to the giants of be-bop and swing, with orchestration as plush as a velvet banquette, honeyed harmonies from a choir of flutes and clarinets, and mirror-ball figures for celesta. At ease and alert, McAllister dazzled and crooned…an American dream of neon signage and slick city streets.”

Anna Picard The Times (UK) (9/7/14)

“…an extremely high level of musicianship and especially an incredibly dense interplay. What is astounding and only revealed once one reads the hype flyer is that the pieces are composed by just as many contemporary composers as there are tracks. Although styles move between aggressive and melodic, they strangely merge into a consistent whole.
Outstanding and really fun to listen to.”

Vital Weekly (November 2023)

“…a contrasting sense of solemnity followed…yet moving…”

Jeremy Eichler The New York Times

“It was Higdon’s concerto that offered the most sublime musical moments on the program…her saxophone concerto is an extremely lyrical piece whose ideas are clear and free of musical meandering…The work was played with warmth and agility by saxophonist Timothy McAllister…In the realm of contemporary music, finding a jewel amid the programmed mix is a rare music moment. And this concert delivered it with Higdon’s concerto.”

Edward Ortiz The Sacramento Bee

[Review: “LA Phil Brings ‘New World’ to Seoul”]
“Resplendent saxophone solos thrilled audiences throughout…”

Kwon Ji-youn The Korea Times (3/27/15)

“Timothy McAllister delivers unusually pure and sweet tone in the cadenzas of Rush, the alto saxophone concerto. Faletta shows a clear affinity throughout for Fuchs’s warm, spacious, neo-Romantic idiom, and the LSO responds with lush yet pristine playing.”

Joshua Rosenblum Opera News (February 2019)

“anchoring the whole section is an achingly fetching tenor saxophone solo line that was beautifully performed by Timothy McAllister.”

Chicago Sun-Times Kyle MacMillan (Nov 2024)

Pierre Jalbert

Saxophone Concerto (2024)
Pierre Jalbert (b. 1967)
I. Luna Nova
II. Speed of Light
Duration: 18 minutes

Written for Timothy McAllister and scored for solo alto saxophone, with an ensemble of orchestral winds (woodwinds and brass) plus percussion and piano. The opening movement, marked “Gently, with a sense of pulse”, explores the saxophone’s lyrical and expressive qualities as the ensemble creates slowly-changing, pulsating harmonies, over which the saxophone plays long, lyrical lines. The second movement, marked “With great energy”, contains frenetic, pulse-oriented music and features the saxophone’s virtuosic possibilities. Eventually, the ensemble gives way to the soloist’s slowly evolving cadenza. As the movement titles suggest, the music was inspired by the phases of the moon and the vastness of space. - Pierre Jalbert

Earning widespread notice for his richly colored and superbly crafted scores, Pierre Jalbert has developed a musical language that is engaging, expressive, and “immediately captures one’s attention with its strong gesture and vitality” (American Academy of Arts and Letters). Among his many honors are the Rome Prize, the BBC Masterprize, a Guggenheim Fellowship, and the Chamber Music Society of Lincoln Center's Stoeger Award, given biennially “in recognition of significant contributions to the chamber music repertory.” He has drawn inspiration from a variety of sources, from plainchant melodies to the natural world. Recent album releases include his Violin Concerto (2019), String Theory (2021), and Air in Motion (2022), which features the Escher String Quartet and Carol Wincenc.
Jalbert is Professor of Music at Rice University’s Shepherd School of Music in Houston, where he has taught since 1996. His music is published by Schott Music.

More information at Pierre Jalbert’s website HERE.

Booking Information

Martha Woods
President
Jonathan Wentworth Associates Ltd.
6118 40th Avenue
Hyattsville, Maryland 20782-3012

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