“Timothy McAllister gave intense, intelligent performances…mournful [and] exuberant…”

Bruce Hodges S&H International Concert Review - MusicWeb (UK)

“fantastic virtuosity and lyric beauty”

John Corigliano Pulitzer Prize Laureate, Grammy, and Oscar-winning composer

“REVIEW: Stephen Mulligan returns to the ASO for a saxophone-driven program”
“The evening’s linchpin was its second piece, “Adagio (For Wanda Lee Smith)”…Timothy McAllister was comfortable standing with one foot in each of the normally disparate worlds of classical refinement and hard bop intimacy. “Adagio (For Wadada Leo Smith)” flat out works thanks to a consistently...

Jordan Owen ArtsATL (March 2023)

“Adams’s Saxophone Concerto was brought about by the stimulus of an extraordinary musician. Timothy McAllister’s seemingly effortless handling of the “City Noir” solos…determined Adams to write a concerto for him in that style…The playing of McAllister is a wonder to hear, and the performances by Robertson and company set the standard for these works…”

Ronald Grames FANFARE Magazine (Nov/Dec 2014 issue)

“…breathtaking and spectacular…a revolution displayed in the hands of an artist…”

Donald Sinta Earl V. Moore Distinguished Professor Emeritus of Saxophone, The University of Michigan

“The pieces performed by McAllister, in tandem with the talented pianist Liz Ames, stand out for their melodic inventiveness and liveliness and rhythmic intensity. In most cases, the authors summoned here draw liberally from extra-cultured music - jazz primarily, but also funk, rock and even Balkan music -, mixing classical, contemporary and vernacular languages with imagination and consistency…a beautiful and exhilarating CD.”

Filippo Focosi Kathodik - Italy (May 2023)

“…a contrasting sense of solemnity followed…yet moving…”

Jeremy Eichler The New York Times

Pierre Jalbert

Saxophone Concerto (2024)
Pierre Jalbert (b. 1967)
I. Luna Nova
II. Speed of Light
Duration: 18 minutes

Written for Timothy McAllister and scored for solo alto saxophone, with an ensemble of orchestral winds (woodwinds and brass) plus percussion and piano. The opening movement, marked “Gently, with a sense of pulse”, explores the saxophone’s lyrical and expressive qualities as the ensemble creates slowly-changing, pulsating harmonies, over which the saxophone plays long, lyrical lines. The second movement, marked “With great energy”, contains frenetic, pulse-oriented music and features the saxophone’s virtuosic possibilities. Eventually, the ensemble gives way to the soloist’s slowly evolving cadenza. As the movement titles suggest, the music was inspired by the phases of the moon and the vastness of space. - Pierre Jalbert

Earning widespread notice for his richly colored and superbly crafted scores, Pierre Jalbert has developed a musical language that is engaging, expressive, and “immediately captures one’s attention with its strong gesture and vitality” (American Academy of Arts and Letters). Among his many honors are the Rome Prize, the BBC Masterprize, a Guggenheim Fellowship, and the Chamber Music Society of Lincoln Center's Stoeger Award, given biennially “in recognition of significant contributions to the chamber music repertory.” He has drawn inspiration from a variety of sources, from plainchant melodies to the natural world. Recent album releases include his Violin Concerto (2019), String Theory (2021), and Air in Motion (2022), which features the Escher String Quartet and Carol Wincenc.
Jalbert is Professor of Music at Rice University’s Shepherd School of Music in Houston, where he has taught since 1996. His music is published by Schott Music.

More information at Pierre Jalbert’s website HERE.

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