[REVIEW: “Adolphe Sax’s 200th celebrated in style in Liverpool with Adams’ concerto”] “John Adams’ Saxophone Concerto, premiered just last year, was received with enthusiastic whoops, and with good reason. Its greatest champion, the soloist Timothy McAllister, painted it with a rich spectrum of sonic colour in addition to offering an astounding display of virtuosity. His technical facility did a great deal for the soft fluidity of the early parts of the concerto, especially in the...

Rohan Shotton BACHTRACK (12/1/2014)

“Higdon’s Soprano Sax Concerto began and ended in a pastoral mood (a la Copland’s Clarinet Concerto) and featured smooth, sweet and virtuosic playing by Timothy McAllister.”

Scott MacClelland Metro Santa Cruz

“the main attraction of this enjoyable St. Louis Symphony album, conducted by David Robertson, is Adams’ Saxophone Concerto, composed for the virtuosic Timothy McAllister, who plays it here. Stacked with swing-era allusions, moody 4am interludes and cartwheeling acrobatics, it is unpretentious fun from start to finish”

Richard Morrison The Times London (5/31/14)

“This was a virtuosic performance by guest soloist Tim McAllister for whom it was written and whom Adams introduced as ‘the best saxophone player in the world today.’ Its angular, leaping melodic outbursts form a contrast to the other pieces on the program, but there are no extended techniques required, just amazing agility in the natural range of the instrument. Its two movements rely on tight rhythmic precision as it proceeds resolutely onwards through a myriad of polyrhythms, its jazz...

Heather Morris Santa Cruz Sentinel (Aug. 2014)

“Adams imparts a lighter touch to the orchestration to support the solo alto saxophone’s sinewy lines, played with wondrous dexterity by Timothy McAllister”

Pwyll ap Sion GRAMOPHONE Magazine (Aug. 2014)

“The LA Phil played superbly, with special kudos to saxophonist Timothy McAllister…”

Robert D. Thomas Music Critic, Pasadena Star-News

“Relatively few classical composers have given the instrument a successful spotlight, but John Adams is out to change that with his new Saxophone Concerto…a gleaming vehicle for virtuoso saxophonist Timothy McAllister. He nails the fluent angularity and punchiness in the music with a lyrical touch somewhere comfortably between jazz and classical styles”

Tom Huizenga Deceptive Cadence from NPR Classical (June 12, 2014)

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